The Book Doctors Albany/Troy Pitchapalooza Boffo
Thanks to Susan Novotny & all the great people from Book House & Market Block Books. The pitches were so good we had two winners!
http://www.timesunion.com/local/article/Want-to-be-a-famous-author-Start-talking-1379234.php
The Brooklyn Paper Gives Greenlight Pitchapalooza Love
Ready, set, pitch! Got a book idea? Head to
this speed-publishing event
Book ideas are like belly buttons — everyone has one. But not everyone knows how to make a solid book pitch.
Enter Pitchapalooza, the “American Idol” of books that is coming to Greenlight Bookstore in Fort Greene on March 30. Then, author hopefuls can pitch to a panel of publishing experts, where they’ll get feedback.
“In the real world of publishing, for an unknown writer, you’re lucky to get a minute in front of a great agent or publisher,” said David Henry Sterry, who wrote “The Essential Guide to Getting Your Book Published” with his wife, Arielle Eckstut, and has brought Pitchapalooza to over 20 cities since starting it last fall.
No matter the city, the game is the same: “contestants” are randomly picked out of a hat and then have one minute to do their pitch, which then gets critiqued by the panel including Sterry and Eckstut — is there too much plot? Too little? Not enough characterization? Marketplace potential? The person with the most promising pitch gets introduced to an agent.
Kurt Christenson will be among the Pitchapalooza hopefuls trying for his shot at literary gold. The Clinton Hill-based writer hopes to pitch his book, “Tower of Brahma, a “part pulpy adventure, part Beat Poet novel” about his journey from late 20s suburban office worker to 30-something writer in New York City.
“My work is often too ethereal and poetic to be considered by most publishers, so I’m looking for one that might be more along my lines,” said Christenson.
Greenlight owner Jessica Stockton Bagnulo had people like Christenson in mind when she decided to bring in Pitchapalooza.
“Part of our mission as a bookstore is to be a community resource, and a place where people can come together over books; offering a fun way for authors to get connected to potential publishers and readers seemed like a perfect fit for us,” she said. “And it’s always exciting to host a contest!”
Pitchapalooza at Greenlight Bookstore [86 Fulton St. between S. Elliott Place and S. Portland Avenue in Fort Greene, (718) 246-0200 begin_of_the_skype_highlighting (718) 246-0200 end_of_the_skype_highlighting], March 30 at 7:30 pm. For info, visit www.greenlightbookstore.com.
©2011 Community Newspaper Group
Time Out New York Critics Pick Pitchapalooza Greenlights Brooklyn
We’re all very excited over here to be a Critics Pick in Time Out New York for our Pitchapalooza at Greenlights Bookstore in Brooklyn, Wednesday, March 30, 7:30 PM.
Pitchapalooza Picks Youngest Winner Ever
BY Stacey Gill | Friday, Feb 11, 2011 12:00pm
People from all across Baristaville turned out last night for Montclair’s own David Henry Sterry and Arielle Eckstut’s Pitchapalooza. Over 100 writers from Bloomfield to Verona packed the Montclair Public Library for Sterry and Eckstut’s final book idea pitching event, after traveling cross-country from Huntington, Long Island to Chico, California and back on their own book tour.
The Book Doctors, as they are known, just published The Essential Guide to Getting Your Book Published, and along with it they are personally trying to help other writers get their own books published — one Pitchapalooza at a time.
Last night they helped one lucky winner, the youngest in Pitchapalooza history, on her way to publishing her novel. Zoe Schiff (pictured right) at only 15 years old had the best pitch of the night. This incredibly creative Montclair High School student told of her idea of a historical novel with a twist. In her book about the Revolutionary War the Americans do not win. This AP history student goes on to tell the tale through two young sisters caught in the aftermath of the Americans’ defeat.
With ideas ranging from a poetic memoir to a book told in pictures to reveal the autistic mind, Schiff had stiff competition. And she knew it. ”I’m shocked and grateful,” Schiff said after winning the contest.
Although there can only be one winner, for whom the Book Doctors vowed to “do everything in our power” to get published, Sterry and Eckstut’s desires were to help all aspiring authors achieve their dreams.
“Our goal is to get everyone here tonight to publish your book,” Sterry said. And to that end he noted with a smile, “This is the best panel we’ve ever had.”
Although I got the feeling he says to all the authors, the panel was impressive. It included Montclair’s Dominic Anfuso, VP & Editor-in-Chief of the Free Press/Simon & Schuster; the bestselling author/blogger and MEWS founder Pamela Redmond Satran, also of Montclair; and agent extraordinaire Liza Dawson of the Liza Dawson Associates Literary Agency.
For those in the audience, Eckstut and Sterry dispensed plenty of helpful advice including their own travails in writing the pitch for their current book. “It took us six months to write, edit, and come up with the moves for that, and it’s 20 seconds!” Sterry admitted.
Another bit of Sterry wisdom was that the pitch should allow the agent to get a feel for your book through the voice and style. Sterry put it this way, “It’s like those t-shirts that say ‘Sexy’ on them. Let me be the judge of that.”
The pitch, then, should be a little snapshot of your book. Sterry stressed his point. “Don’t tell me it’s suspenseful. I want to sit on the edge of my seat.”
Eckstut agreed. “When you nail it in a minute, I feel like I read the book.”
Satran’s advice for writers was to give specific details in the pitch. “Agents and editors are inundated. Give them a sales handle where they can see it on the book shelf and next to which authors.”
All the panelists agreed and suggested authors come up with comparable titles to their own work. “There is a mania for categorization in the bookstore,” Sterry added.
Ultimately, people in the book business really want to hear writers’ stories, according to Anfuso. “Most of us get into this business to honor writers and books.”
If you are cursing yourself because you missed it, fear not, The Book Doctors are hosting a workshop next weekend in Baristaville:
How to get Published Successfully Workshop
Who: Writers.
What: A step-by-step, information-packed workshop that removes the smoke and mirrors from the publishing process, covering everything from coming up with a blockbuster title to finding an agent to building a following through social media.
Where: Montclair, NJ.
When: Saturday, February 19 from 1 pm to 4 pm.
Cost: For details and location call 310.463.2068 begin_of_the_skype_highlighting 310.463.2068 end_of_the_skype_highlighting or email sterryhead@gmail.com.
Photos by Margot Sage-EL
The ‘Book Doctors’ Want to Know What You’re Working On
OK, all you scribblers, it’s time to come out of your attics.
Time to let those manuscripts see the light of day.
Think about how you’d summarize your book to an agent if you only had the chance.
Distill that description down to a minute.
Rehearse it with a friend, or in front of the mirror.
Go to the Montclair Public Library tonight, and deliver that pitch to the Book Doctors and their panel of judges at Pitchapalooza, a sort of literary “American Idol” but without the cruelty.
The Book Doctors, in private life called Arielle Eckstut and David Henry Sterry, are the authors of “The Essential Guide to Getting Your Book Published.”
A revised edition of the book was released in November 2010 and since then Eckstut and Sterry have been touring the country with Pitchapalooza. They’re wrapping up the tour in their hometown and invite Montclair writers to pitch their books tonight, Feb. 10, at 7, at the library, 50 South Fullerton Ave.
Three judges will evaluate 25 pitches: Dominick Anfuso, vice president and editor in chief at Free Press; Liza Dawson, owner of Liza Dawson Associates Literary Agency; and Pamela Redmond Satran, bestselling author of “How Not to Act Old” and many baby name books, and the founder of the Montclair Editors and Writers Society, of which Eckstut and Sterry are members.
Eckstut has been a literary agent for 18 years and is the author of seven books. Sterry has written 12 books, in a wide variety of genres including memoir, sports, young adult fiction and reference.
With anywhere from 100 to 300 people at each Pitchapalooza event, the Book Doctors must see a wide range of pitches. Do they ever feel they’re wasting time?
“No one knows what’s going to be a successful book,” Sterry said. “If anyone knew they’d make a billion dollars.”
Citing Michael Jordan having been cut from his high school basketball team, Sterry said it’s not his job to nip anyone’s dream in the bud. But he won’t hesitate to tell a writer, “Look, this is not professional caliber. You need to do A, B, C and D.”
And as an agent, “trained to say no to everything,” Eckstut pointed out that there are no barriers to getting published anymore.
“One of the first questions we ask,” she said, “is ‘What is your goal?’ If they say ‘I want to be published by Random House and get a six-figure advance…'”
The sentence hardly needed finishing.
But what surprises publishers, editors, and agents, Eckstut says, is how many people don’t want that.
“They just want a printed book in their hands, and don’t care how they get it: self-publish, e-book, print on demand.”
Self-publishing doesn’t have the stigma it had a decade ago, when self-published meant ugly and riddled with typos.
“We tell everybody, if you’re going to self-publish, hire an editor, hire a proofreader, hire a cover designer and a book designer, so it looks like it deserves to be on the shelves,” Sterry said.
Many authors who’ve been published by reputable houses are choosing to publish on their own because they already have a following, he said. “If you’ve got 20,000 people champing at the bit and they can press a button [to get your book], why would you need a publisher?”
Before Pitchapalooza, Eckstut and Sterry conducted workshops based on the 2005 edition of their book — titled, like the book, “Putting Your Passion into Print”— and have had what Eckstut called “some major success stories.”
“A winner in San Francisco from seven years ago has seven books out,” she said, “and Tim Ferriss of ‘The 4-Hour Workweek’ took our workshops. Even from this tour, we’ve already hooked up a lot of our winners with agents, so they’re in the process right now.”
Everyone pitching a manuscript tonight will get one minute.
“This is what makes the event so dramatic,” said Sterry. “That clock starts ticking. When they get to 50 seconds, Arielle says, ’10 seconds.’ You can feel the room tightening up.”
For an unknown writer to get to pitch a book to established agents and publishers is a rare thing, so the Book Doctors want you to make the most of your minute tonight.
For writers who aren’t sure what a pitch is, Eckstut suggests reading the copy on the backs of books in your genre. Whether mystery, sci fi, children’s book, whatever you read (and write), “on the back of every book is a pitch.”
The Eckstut-Sterry family loves living in Montclair, to which they moved just after the birth of their daughter three and a half years ago. Eckstut recently completed a book project with her mother, an expert on color.
Sterry has just finished a novel, which he describes as “‘Catcher in the Rye’ meets Stephen King.”
That’s a very short pitch.
Contact Elizabeth Oguss at oguss@montclairtimes.com.
Does an Author Really Need a Website?: The Book Doctors Interview Annik LaFarge on How To Be a More Effective Author Online
We are asked all the time, “Do I really need an author website?” We are big believers in author websites, but we decided to take this question to the person we consider the expert on the subject: Annik LaFarge. Annik is the author of The Author Online: A Short Guide to Building Your Website, Whether You Do it Yourself (and you can!) or You Work With Pros. She also happens to have spent twenty-five years as an executive in the book publishing business, working at Random House, Simon & Schuster, Addison-Wesley, and Bloomsbury USA. She began her career as a publicist, and went on to become an associate publisher, marketing director, senior editor, and publishing director. And she was involved in the early efforts to create e-books and develop strategies for digital publishing. In the late 1990s, at the height of the dot com boom, Annik took a year away from publishing to join entrepreneur and journalist Steven Brill in the development and launch of Contentville.com, where she published an original series of e-books and oversaw the website’s bookstore. In 2008 she left publishing to start her own company, Title TK Projects, which specializes in website project management, editorial work, and consulting on digital strategy. Author websites she has project-managed include MitchAlbom.com, FrenchWomenDontGetFat.com, MireilleGuiliano.com and TaraParkerPope.com. Clearly, Annik knows what the heck she’s talking about. So we asked her to share with us the benefits of author websites. She was also kind enough to share with us her 10 ½ tips for being a more effective author online.
THE BOOK DOCTORS: In this age of social media, why is a website still important? Is it possible to just get away with a blog/Facebook page/Twitter presence?
ANNIK LAFARGE: Even in this age of social media, having a website is really, really important. A recent study by the Codex Group showed that that websites are one of the key ways people find out about books. Surprisingly, in terms of new book discovery, Facebook and Twitter are much less influential than author websites. Some of the reasons for this have to do with SEO (search engine optimization) and keywords. When you type in an author’s name, his/her website is first thing that comes up. To be the first result that pops up in a Google search is reason enough to have a website. This visibility gives you the opportunity to control your message and to craft the experience that you want that person who is interested in your work—that person who has taken the time to Google you—to see.
Your website also gives you the opportunity to capture people’s email addresses and to build a newsletter list. Your mailing list is extremely important, even if you’re a literary fiction writer. People who give you their names and email addresses are telling you that they’re interested in you and your work and want to know more about you; they want to be kept up to date. Even just a 100-person list matters because you can use it as a mini-focus group, testing book covers and plot ideas, and you can easily alert your fans about new releases. And over time that list will grow and grow.
THE BOOK DOCTORS: What are the top mistakes authors make when designing their websites?
ANNIK LAFARGE: The biggest mistake I’ve seen is building a website and not using it. People get excited, build the engine and then let it just sit there. You need to have a plan for your website—a monthly and yearly plan: what sort of content will you launch with? What will you add as time goes by? How frequently will you post new material? Enough to blog? If so, what will the voice of your blog be? What will be the first 10 things you write about? I tell authors to plan for their website the way they do for a new book: write an outline, like a book proposal, that includes not only the “big think” – the overall substance and point of view of the website – but also a list of all the different pages and what they’ll contain. Think of it as a business plan for your site. Or to put it in more literary terms, it’s like mapping out a long piece of nonfiction – for both the hardcover and the paperback edition.
THE BOOK DOCTORS: A lot of struggling writers are concerned about the costs of setting up a website. I know you write about doing it yourself, but if you don’t have the time or inclination, what’s the minimum a person can spend and still have something that looks professional?
ANNIK LAFARGE: Anybody should be able to get a fine looking blog/website using WordPress, Sandvox (only available for Mac) or Squarespace; these are content management systems that allow you to customize a site off an easy-to-use template for nothing (in the case of WordPress, which is purely open source) or less than a hundred bucks. If you’re working with WordPress pick a theme you like at themeforest.net—my favorite of the theme sites but there are zillions on the web. And if you’re intimidated by technology then hire a designer who can create a nice banner and who knows how to do the basic programming (so you don’t have to hire a separate programmer). This can be done for as little as $500 and most designers these days are very comfortable in WordPress particularly. BUT, there is a very strong argument to be made for building a website yourself. Writers care enormously about how they present their ideas and their presence on the page, and having control over their own “content” is extremely important. Understanding how your website or blog works – how to post new material, set up new sections, add photos and videos, link up with Facebook and other social media venues – means that you can always make changes and additions whenever you like; you’ll never be dependent on a webmaster or an overworked publicist again. For many authors a website is their beating heart in the public space. Creating one can feel daunting – anything more technical than Microsoft Word intimidates many writers – but it’s enormously empowering and creative, and the technology has evoloved to the point where honestly anyone can do it.
You can map out the structure for your website – e.g. create your own “wireframe,” which is to a website what a blueprint is to an architectural project – at a cool new site called GoMockingbird which is very easy to use and inexpensive. Or you can do it the old-fashioned way, using a pencil and an 8 ½ x 11 sheet of manuscript paper. But sketching out a site – putting your plan on paper – is a great way to work through your ideas about who you want to be on the web, and it can save you lots of time and frustration later on.
THE BOOK DOCTORS: You are now a self-published writer. What platform did you use? What was the costliest part of the process? What was your favorite part of the process.
ANNIK LAFARGE: I went the more complex route by setting up my book at many different retailers. I used Amazon’s CreateSpace for the POD (print-on-demand) paperback version of my book and am very happy with them; they have great customer service and excellent help documentation. Early on I decided I wanted my book to look like a real book – even the ebook version – so I paid a designer to do a proper interior and a cover. I thought I could do the Kindle conversion myself but I made a real hash of it, so I sent the manuscript to ebookconversion.com and let them create the ePub edition. Then I set up accounts at Apple’s iBookstore (using iTunes Connect), Barnes & Noble’s PubIt! (for the Nook), and Google Editions, and I simply uploaded the file at each place, created all the metadata (description, bio, etc.), and I was in business. For awhile I even sold a PDF of the book myself, on TheAuthorOnline.com, using an online tool called e-junkie, which allows you to sell digital products very easily and inexpensively. I could have gone to Lightning Source, which is a great company, and they would have streamlined the whole process for me, but I wanted to learn about each and every step along the way myself, and I make more money this way on every sale. It was time-consuming, but generally fairly easy to do. The most complicated part was dealing with Bowker who you have to go through to acquire an ISBN (the unique identifier for your book that retailers use to display and sell your book). But I’ve trained myself to go into what my partner Ann calls “the Sufi state” and become deeply patient before I visit any e-commerce site I want to partner with. I’ve found that eventually I can slog through and figure out just about everything I need to do, and there’s a particular satisfaction in that. Call it author empowerment.
What I love about ebooks and POD is how nimble they allow an author to be. You can update the content any time you like, and also change the price at will. You don’t get locked into decisions. And if you set up your own website, as I did with TheAuthorOnline.com, you get the benefit of the huge amount of traffic data that Google Analytics provides – for free. So you can learn a great deal about who your readers are.
My advice: start slow, be smart, have fun, and just get on with it.
Annik’s 10 1/2 Tips for Being a More Effective Author Online
No. 1: Think Like An Author
One of the things that authors (unlike other mere mortals) do is organize their thoughts and ideas. You don’t just sit down and write a book from page 1 to 300; you do a lot of thinking, researching, and planning. Tip #1 is to approach your web project in the same spirit. Put on your author hat and make notes and an outline. Start with several general questions that will help inform the overall organization of your website or blog:
– Who am I as an author? If you were writing the opening graf of a newspaper profile of yourself, what would you consider the ideal description of your work? Where would you place the greatest emphasis? Where the least?
– And then: What do my readers want? What sort of questions do they ask you when you make public appearances? What do they say when they write letters or emails to you?
– And: What do I want my readers to know about me that they may not currently know? This is your chance to write the Ur Q&A. Consider it a work-in-progress: post it, then keep adding to it as time goes by and your writing and career develop.
No. 2: Make a Content Plan, Part 1: Static Elements
Make a list of static elements that you want to include on your website: content that doesn’t get constantly updated or newly created like entries in a blog. First focus on things that you already have or would be easy to create: sample chapter(s); biography; reviews; Q&A; etc. Then start another list: stuff you’d love to add in the future (The Author Online contains an exhaustive list of features that readers say they like on author websites). Then go back and prioritize your master list and arrange the items into broad categories that could serve as the navigation on your site: Books (do you subdivide Fiction & Non-Fiction?), Bio, Journalism, About, etc. These are the categories that make sense to you, based on the work you did in Tip No. 1.
No. 3: Make a Content Plan, Part 2: New Elements
Consider where your new content will come from. Do you want to blog? (Do you have time to blog? Will you run out of steam after 3 months?) Will you write occasional articles/essays to post on your site? Will you share early chapters with your fans? Invite them to vote on jacket art from your publisher? Will you constantly post new links to bloggers, videos, new studies/research in your field, etc.?
No. 4: Be Smart Today and Plan to Grow in the Future
Websites evolve. The best thing you can do is be smart and focused at the beginning, and assume that you’ll grow your online presence with time and valuable feedback from fans, traffic data, and other sources. So if you’re just starting out be honest with yourself about how much time you can devote to your site; be ambitious but also realistic about your plan for adding new content. Focus on quality of content not quantity, and always circle back to the questions you asked yourself in No. 1: what do your readers want? What do you want them to know about you? Then think about what’s the best way to deliver that on your site and map out a plan for the coming months. And be sure to keep a handy list of “Future Features” and ideas for new content. Tip 4a: Set up a Dropbox account and keep your list in the cloud so you can always access and update it. This is particularly handy if you travel a lot, and you can install Dropbox on any mobile device. (See here for more about how Dropbox works. While you’re there, check out Evernote, another great app that helps you keep track of stuff you find online.)
No. 5: Build a Mailing List
Even if you don’t intend to send out an email newsletter create a sign-up form and place it conspicuously on every page of your website or blog. Do this on Day 1. You may not see a reason to have an e-letter today, but in a year or so you may. People come to your website because they like your work or they’re interested in your subject; give them a simple way to stay in touch. An author’s email list has tremendous value, and it will grow over time. Start now.
No. 6: Use an ESP
Use a professional email service provider (ESP) like MailChimp or Constant Contact. Some of these services are free until your list reaches a certain size (like MailChimp) and there are many benefits: they provide simple templates for creating professional-looking emails; easy opt-out links for your subscribers; and vast riches of analytic data about who opened your emails, what they clicked on, how many times they forwarded it, where they live, etc. From that data you will learn to do things better and more effectively in the future.
No. 7: Be Creative About Your Newsletter Signup
You don’t go on the radio and simply say “buy my book, it’s a great read.” You say: “buy my book because I describe all the best tools and strategies for killing a zombie and tell you how to prepare yourself in both an urban and a rural setting.” So in your newsletter signup offer some specifics about what your emails will deliver. For a very good example of a smart newsletter sign-up see the form that SocialMediaExaminer.com uses. They promise a value-add (a free video tutorial on using Twitter), and the text has a real voice. Another example of a creative newsletter signup is the blog CrazySexyLife.com. The first signup box I saw there (in 2009) had three separate options: daily, weekly and monthly, so the reader could choose how much of author Kris Carr’s stuff she really wanted. Recently Carr updated her newsletter signup and it’s still great, but very different and now she also offers a free piece of content for folks who sign up. You’ll find screenshots of all these examples at TheAuthorOnline.com/newsletter
No. 8: Use Google Analytics
Set up your Google Analytics account on Day 1 and get addicted. As you gain traffic you will find this a terrific editorial tool because you’ll know what your readers are looking for, what they actually spend time reading, where they come from (country, state, city), and much more valuable data. Nothing will teach you more about how you’re doing online than Google Analytics, and it’s free. Don’t forget: launch it on Day 1.
No. 9: Visit Your Own Site Regularly
Go to your website at least once every few weeks and test your links (they have an uncanny way of breaking for no apparent reason). While you’re there, chances are that something will strike you: “gee, I could do this better,” or “that featured article is feeling a bit long in the tooth, it’s time to replace it with something else.” Be objective, be critical, be creative. Test new things and check the results in Google Analytics. Then lather, rinse, repeat.
No. 10: Have Fun, Be Empowered
Websites are stressful – everybody knows that. But remember all those times you had a great idea for your publicist and it just never got off the ground? Well, guess what: with your own website you can do a whole lot on your own. And once you start understanding how to use it well, and you get in the groove (and you build up your mailing list, social networking fan base, RSS subscribers….) you’ll be able to reach your readers directly whenever, however, you want. And you can invite them to provide their feedback, both publicly (through blog comments, message boards, and of course in social networking environments) or you can keep things quiet and just enable people to email you via the site. You can start small and grow. Most of all, can you can do it yourself. Visit TheAuthorOnline.com for a rich (and constantly updated) list of resources, sample author and book-specific websites, online tools, articles, links, and more. Please email me and tell me what you think I can do better, or simply alert me to your web project. I’m interested, and many others are too. Most of all, have fun.
Good luck with your project!
the essential guide tour Pitchapalooza #19: afternoon tea, a precious pair of sneakers and an Ethiopian history lesson
A family of four who traveled around the world together. A woman who overcame extreme pain by turning herself into an extreme athlete and did the Australian crawl from Alcatraz to San Francisco after learning to swim on the internet. A man with gray hair cascading down his back who dreamed up a young adult novel starring prairie dogs. What do these people have in common? They were among the 125 people who braved the Arctic cold snap, ice-slick roads, and chose to forego the most fascinating college football game this century to come to Tattered Cover in downtown Denver to pitch their books to us. And pitch they did. Wild West grief-triangle epics, elf-free fantasies, futuristic no-tech thrillers and high-tech romances. It was a very impressive collection of tales. And we were blessed with a great panelist, Tom Carney, who brought his decades of experience as a bookseller and publisher’s sales rep to bear on the proceedings. Tom told the crowd that as a rep, he would have to go into a bookstore and pitch 300 books in an hour. 300 books. 1 hour. You do the math.
It was a warm, generous crowd, happy to get shelter from the storm in the warm bosom of one of the great bookstores in America. When we remarked on how enthusiastic and friendly they were, someone shouted out, “It’s the thin air!” This to us exemplified the enthusiastic yet self-deprecating good humor found throughout Mile High City. Our winner spun a beautiful pitch that was equal parts Nancy Drew, The Help and A River Runs through It. Take a second and try to and imagine how all those things could possibly fit together. Not only did she do it, she did it with style, comedy, and presence so powerful she had us all wanting to run to the bookstore to buy her book.
Afterwards, we chatted and signed books. A man approached us carrying a pair of sneakers. The man explained that they were the shoes his son was wearing when he was killed at Columbine High School. A crushing, breathtaking sadness ran through us, heightened by the recent shooting in Tucson. This man is writing a book about how he helped change the gun laws in his state in the wake of his son’s death. An inspiring example of the incredible stories we hear at Pitchapaloozas, where Citizen Authors are trying to use books to help the world, and of the power of the word to heal.
Surprising side note: There is a large Ethiopian community in Denver. We had two lovely cab drivers from this now-prospering African country (we got a history lesson in the taxi and this is what we learned) who also told us about all the amazing Ethiopian restaurants there. It just so happens that Olive’s favorite food is “E-thee-o-pinin”, as she calls it. She explained why she loved it so much: because the bread has no crust. Olive is 3. So we are very much looking to returning with her and feasting on some of this delectable cuisine.
We did have a fantastic meal at Rioja, a restaurant close to the Tattered Cover.
Despite some sub-par front-of-house service, we ate some explosively flavorful food. David had a crazy tasty crab and celery root salad and a super succulent duck risotto. Arielle dined on a juicy beet and raspberry salad and seared tuna with smoked mushrooms in a red curry. We also had the good fortune to return to the Brown Palace hotel, which has an old-school high tea (one of David’s favorite things in life) complete with harp player who does a kick-ass version of Stairway to Heaven.
Pitchapalooza in Chico, the Paris of Central California
Got a good book idea? Do what I did: Bring it to the Pitchapalooza By Neal Wiegman
Pitch your book idea:
A second Pitchapalooza sponsored by Lyon Books will take place at the 1078 Gallery on Tuesday, Jan. 18, at 7 p.m. For writers who can’t make it then, Arielle Eckstut and David Henry Sterry (pictured) will be available to listen to pitches on Northstate ublic Radio’s call-in show “I-5 LIVE!” Monday, Jan. 17, at 8 p.m.
Three years ago I got the idea that I might have a book in me. It had been germinating for some time, but I hadn’t felt confident that I could do it. So when an opportunity came to pitch my idea—at what was called a Pitchapalooza—in front of a group that included a panel of judges who offered the possibility of being introduced to an agent, I decided to go for it.
That’s how, in November 2006, I found myself at Lyon Books, in downtown Chico, joining more than 30 wannabe authors standing before the microphone that afternoon. (A second Pitchapalooza is scheduled for Jan. 18; see the info box.)
That morning, in preparation for my one-minute pitch, I had written the first paragraph of what became a self-published historical novel, Walking the Way: A Medieval Quest.
When my turn came and I got up to face the crowd, I realized I was more nervous than I’d ever been in my life, although I’m used to speaking in front of groups. I think it was because of the time limitation. Fortunately, as I began, I was able to deal with my nervousness and steady my shaky voice by focusing on that first paragraph.
The panel of judges consisted of Susan Wooldridge, the Chico author of two best-selling books about writing, poemcrazy: freeing your life with words and Fool’s Gold: Making Something from Nothing and Freeing Your Creative Process; and the “Book Doctors,” Arielle Eckstut and her husband, David Henry Sterry, authors of The Essential Guide to Getting Your Book Published.
Eckstut has been a literary agent for 18 years, and Sterry is the best-selling author of 13 books, the last of which appeared on the cover of The New York Times Book Review. They’ve appeared on National Public Radio many times and taught publishing at Stanford University. They’ve helped dozens of talented amateurs become professionally published authors.
Pitchapalooza participants, their time allowances strictly enforced by stopwatch, attempt to convince the experts that their idea is worth consideration by an agent. After each writer’s pitch, the judges critique everything from concept to potential in the marketplace. Aspiring authors come away with concrete advice on how to improve their pitches, as well as a greater understanding of the ins and outs of the publishing industry.
Even if a pitch was poorly written or presented, the three judges gave encouraging feedback. I was told that a selling point in my favor was the fact that my wife and I had actually walked the medieval pilgrimage road to Santiago de Compostela in Spain that the hero of my novel follows on his quest. (I described that walk in “The bones of Saint James,” a feature story in the Dec. 24, 2009, issue of the CN&R that was another outgrowth of the Pitchapalooza.)
Nancy Wiegman, my wife, also attended the November 2006 event and was so impressed with the number of writers in the Chico area that she was inspired to create a platform for their books through radio interviews. A few months later Nancy’s Bookshelf debuted on Northstate Public Radio. She has now interviewed more than 150 mostly local and regional authors for her show, which airs on KCHO, 91.7 FM, Fridays at 10 am.
Sterry eventually returned to Chico to be interviewed on Nancy’s Bookshelf about memoir writing and how he helps writers put their passion into print.
He described the Pitchapalooza, which he invented, as “kind of like an American Idol for books, where everybody gets one minute.” When Nancy commented that the judges’ evaluation of each pitch was always very kind, Sterry replied, “Well, there’s no Simon [Cowell]. Yes, I have to censor all the angry, bitter, cynical thoughts that come through my head.”
Sterry thinks it’s important that everyone pitching a book idea get encouraging words: “You don’t want to go in public and be humiliated. Many people have a dream of getting a book published, and who am I to say their dream shouldn’t come true?”
Eckstut and Sterry have done Pitchapaloozas all over the country for years. “What I’ve discovered is that at every single event there are at least five book ideas that someone pitches and you go, ‘Oh, my God, there is a great book just waiting to be born.’ And people don’t have the mechanism in place for even explaining what their book is. What’s one of the hardest things to do is to take a 300-page book and condense it down to be able to explain it in 25 seconds, 30 seconds. It’s really an art.”
SF Weekly Pitchapalooza Love for Book Doctors
Well Played, Sterry By Michael Leaverton
You’re a writer and you have one minute with Soft Skull Press executive editor Laura Mazer: How do you pitch your book? This isn’t a rhetorical question — you really do have one minute with Mazer. At Pitchapalooza, she’s sitting next to NaNoWriMo’s Chris Baty and self-described “book doctors” Arielle Eckstut and David Henry Sterry, the founders of the five-year-old event. To prepare, start speaking in public ASAP, because you’re pitching before a room of people. Try to compare your book to what’s already out there, but don’t say, “It’s like Foer got drunk with Godot at Twilight and started puking Seuss,” because we’re going to say that. There might be agents scattered around you in the audience, like at the Pitchapalooza in New York, so don’t mutter profanities and scribble on a matchbook when awaiting your turn — or, better yet, do exactly that. The winner gets “an introduction to an agent,” which is surely better than it sounds. The losers get the opportunity to buy Sterry and Eckstut’s book The Essential Guide to Getting Your Book Published: How to Write It, Sell It, and Market It…Successfully!, which comes with a “free consultation” worth $100. Of course, it should be clear that Pitchapoolza is, at its core, a drop-dead genius way for Sterry and Eckstut to market Essential Guide — they know their shit, to be sure. They’re the book doctors.
http://www.sfweekly.com/events/pitchapalooza-2325029/