Long-Form Journalism Finds a Home
By DAVID CARR
Published: March 27, 2011
It was a hit. But it was also the kind of deeply reported journalism that was going the way of the fax machine.
“In the digital realm, there is infinite space, but somehow this hasn’t resulted in a flowering of long-form content,” Mr. Ratliff said. He had long considered building a Web site that would be more hospitable to long articles, but had also been spending a fair amount of time on his subway commute reading those pieces on his iPhone.
The men called Jefferson Rabb, a programmer and Web designer known for building remarkable sites for books. In bars up and down Atlantic Avenue in Brooklyn, the three talked about whether there was a way to use these devices to make the Web a friend, not an enemy, of the articles they liked to work on and read.
And, in what may be the first tangible result of journalists gathered in a bar to complain about the state of reading, they did something beyond ordering another round.
The result is The Atavist, a tiny curio of a business that looks for new ways to present long-form content for the digital age. All the richness of the Web — links to more information, videos, casts of characters — is right there in an app displaying an article, but with a swipe of the finger, the presentation reverts to clean text that can be scrolled by merely tilting the device.
“We wanted to build something that people would pay for,” said Mr. Thompson, who has since switched to being a senior editor of The New Yorker and has had to pull back to consulting for the project.
“The Web is good at creating short and snappy bits of information, but not so much when it comes to long-form, edited, fact-and-spell-checked work.”
Readers who buy an article from The Atavist and read it on an iPad — there are also less media-rich versions for the Kindle and the Nook — could begin reading the piece at home and then when driving to work, toggle to an audio version. In each item, there is a timeline navigation that seems natural and simple, and a place for comments that mimics the notes that people put in the margins of complicated, interesting pieces.
Since opening for business at the end of January, The Atavist has published three long pieces that are native to the tablet in concept and execution, and it has had over 40,000 downloads of its app. Writers are paid a fee to cover reporting expenses and then split revenue with The Atavist. For the time being, an article costs $2.99 for the iPad and $1.99 for the Kindle or Nook.
“Lifted,” by Mr. Ratliff, one of the debut pieces, is about an immense heist at a Swedish cash repository, weighed in at 13,000 words. But instead of opening with a long explanation of how it was done, the reader is dropped into the actual video taken by the security cameras. A helicopter comes into view; dark-clad men in ski masks send a ladder down through a skylight and then are seen carrying guns, and later, heavy bags of cash through the interior. The video ends, cue text, and the story is rolling.
In another article of similar length, by Brendan Koerner, called “Piano Demon” about Teddy Weatherford, the Chicago jazzman who stormed Asia, there are many extra audio obscurities that deepen the reader experience. And “Before the Swarm,” a 9,000-word dive into, you guessed it, a man who lived among the ants, gorgeous, highly detailed photography — and really funny, gross videos — pull the reader along.
The most remarkable thing about these can’t-look-away pieces of multimedia journalism is that Mr. Rabb devised a content-management system that allows a writer to build it alone. Before taking on The Atavist, Mr. Rabb had never before worked in Objective-C, the code used to build most apps for Apple devices, but he bought a book about the code and developed a prototype within a month.
The Atavist approach should easily scale to nonfiction books, and a number of discussions are under way with publishers. There have also been talks about licensing the content management software. One executive from a major publisher, who declined to speak for attribution because the company is in the midst of negotiations with The Atavist, all but wolf-whistled when I called.
“It’s almost unbelievable that these three guys came up with something so spectacular,” he said. “This is something we are all working on, and the solution that they came up with both in terms of the reader experience and the production is really remarkable.”
Because of the reading experience provided by the iPad and other devices, there is a bit of a renaissance for longer articles in realms beyond apps like The Atavist.
David Grann’s 16,000-word piece in The New Yorker about a possible wrongful execution in Texas generated almost 4.5 million page views, while a Twitter feed called LongReads has about 20,000 followers and a fast-growing Web site. A recent study by the folks at Read It Later, a service that helps a reader bookmark and save an article, demonstrated that many owners of the iPad are time-shifting longer articles for evening reading.
Among other businesses, education companies have expressed immediate interest in The Atavist’s layered, multimedia approach to complicated content.
“I am fascinated by what they are doing,” said Carl Hixson, chief technology officer of Pearson Education. “By bringing content to life by embedding rich media and doing it with a content-management system that works, it’s a very compelling solution.”
All of this from a project that cost around $20,000 in sunk costs and hundreds of unpaid hours.
If this had happened in Silicon Valley, there would be a garage involved. But in Brooklyn, it’s three guys sneaking out for drinks on Atlantic Avenue.
“When people say publishing is a business–actually it’s not quite a business. It’s part gambling and part arts and crafts, with a business component. It’s not like any other business, and that’s why when standard businessmen go into publishing and think, ‘Right, I’m going to clean this up, rationalize it and make it work like a real business,’ two years later you find they’re bald because they’ve torn out all their hair. And then you say to them, ‘It’s not like selling beer. It’s not like selling a case of this and a case of that and doing a campaign that works for all of the beer.’ You’re selling one book–not even one author any more. Those days are gone, when you sold, let’s say, ‘Graham Greene’ almost like a brand. You’re selling one book, and each copy of that book has to be bought by one reader and each reading of that book is by one unique individual. It’s very specific.”
Ready, set, pitch! Got a book idea? Head to
this speed-publishing event
Book ideas are like belly buttons — everyone has one. But not everyone knows how to make a solid book pitch.
Enter Pitchapalooza, the “American Idol” of books that is coming to Greenlight Bookstore in Fort Greene on March 30. Then, author hopefuls can pitch to a panel of publishing experts, where they’ll get feedback.
“In the real world of publishing, for an unknown writer, you’re lucky to get a minute in front of a great agent or publisher,” said David Henry Sterry, who wrote “The Essential Guide to Getting Your Book Published” with his wife, Arielle Eckstut, and has brought Pitchapalooza to over 20 cities since starting it last fall.
No matter the city, the game is the same: “contestants” are randomly picked out of a hat and then have one minute to do their pitch, which then gets critiqued by the panel including Sterry and Eckstut — is there too much plot? Too little? Not enough characterization? Marketplace potential? The person with the most promising pitch gets introduced to an agent.
Kurt Christenson will be among the Pitchapalooza hopefuls trying for his shot at literary gold. The Clinton Hill-based writer hopes to pitch his book, “Tower of Brahma, a “part pulpy adventure, part Beat Poet novel” about his journey from late 20s suburban office worker to 30-something writer in New York City.
“My work is often too ethereal and poetic to be considered by most publishers, so I’m looking for one that might be more along my lines,” said Christenson.
Greenlight owner Jessica Stockton Bagnulo had people like Christenson in mind when she decided to bring in Pitchapalooza.
“Part of our mission as a bookstore is to be a community resource, and a place where people can come together over books; offering a fun way for authors to get connected to potential publishers and readers seemed like a perfect fit for us,” she said. “And it’s always exciting to host a contest!”
Pitchapalooza at Greenlight Bookstore [86 Fulton St. between S. Elliott Place and S. Portland Avenue in Fort Greene, (718) 246-0200 begin_of_the_skype_highlighting (718) 246-0200 end_of_the_skype_highlighting], March 30 at 7:30 pm. For info, visit www.greenlightbookstore.com.
©2011 Community Newspaper Group
On a stupidly wintery, icy, snowy, frigidy, frozen tundra day in late January, David dragged his still ½ sick body out of bed and somehow got it to Newark Airport to go to Kansas City for the last official stop on our The Essential Guide Rocks America Tour. Arielle, on the other hand, kept her ¾ sick body in the warm womb of her king-sized bed. David’s vulnerable lungs stung when they were attacked by the Arctic cold air. His brain was beyond muddled, thick, and disoriented, having been in bed for the previous week watching bad cable TV.
Just as David was about to board the plane, his Droid rang. It was Geoffrey Jennings of Rainy Day Books. Weather was insane in KC. We made an executive decision. We cancelled the gig. Ice and snow proceeded to shut down most of the Midwest. Everything was cancelled! If that call had come 5 minutes later, David would have been stuck, gig-less in Kansas City, for five days.
We agreed to reschedule for one month hence, February 28th. So we spent a month recuperating and sending out hundreds of emails to KC writers and media. With the help of the good Geoffrey and the power of Rainy Day Books, David was able to land the most influential NPR show Up To Date hosted by Steve Kraske. They agreed to an on-air Pitchapalooza, where listeners would call in, tweet, email, or Facebook their pitches and we would critique them on air. Problem was, we were supposed to fly in to KC on Monday for our Monday night gig, which meant we would be in the air while the NPR show was on the air live.
So we quickly got on the transom to Workman our fine and noble publisher. In order to be on the show they would have to re-do our tickets and put us up an extra night at hotel. For both of us that would be over $1000. Is it really worth spending a grand on a NPR show? 99.9% of publishers would say: NO! Workman said “Yes!” thanks to our in-house publicist Selina, our amazing editor-in-chief Suzie Bolotin, and our Publisher Bob Miller. But only one of us could go. A much bigger ham than Arielle, David was the obvious choice. So, alone, he flew to KC on Sunday and arrived fresh out of the oven at the NPR station, ready to rock, 10:30 on the dot. Steve Kraske, host and KC Star journalist, proved to be a superb interviewer. Sharp, inquisitive, and knowledgeable, he also had that added ingredient so lacking in so many interviewers: he actually listened. We heard/read some great pitches, yacked about books, writing, and publishing. The hour went by in about 5 minutes. David concluded once again that he loves NPR.
He headed to Rainy Day Books. If ever you are in Kansas City, make this a destination. It is a lovely bookstore, old-fashioned yet up-to-date, jammed with new books begging to be read, staffed by friendly bibliophiles who love books as much as us.
David chatted with Geoffrey Jennings, son of the owner as well as crazy gifted bookseller and buyer. Did we mention he’s also a lawyer?! Geoffrey regaled David with hysterical stories about life in the trenches of the publishing wars. He told us about an author who was informed by her big mainstream publisher that they were pulling the plug on her book, ON THE DAY OF PUBLICATION! Chains had not bought it in big enough numbers and there were no media hits. The book was DOA. But the story has a happy ending. Geoffrey happened to like the book. He made a few phone calls to fellow booksellers. He started hard selling the book to his people. Low and behold the book went from death rattle to four printings in hard cover. Never underestimate the power of an independent bookseller.
Frankly, we are sick and tired of reading about the death of the bookstore. The idiot pundits who make these moronic predictions need to go to Rainy Day Books. They regularly host events that sell hundreds, even thousands, of hardcovers at their events. Yes, some dinosaurs have gotten caught in the tar pits. That is natural selection. Survival of the fittest.
Arielle arrived at the Westin in KC at 3:30, exhausted but happy. When we got to the Kansas City Public Library at 5:45 for our 6:30 gig there were already a gaggle of rabid writers milling starry-eyed and nerve-wracked waiting for the doors to open. A very good sign. Geoffrey, snappy in his leather coat, ushered us down to the green room, which was not green. We don’t get nervous about performing Pitchapalooza at a gig like this. Anxiety resides in numbers: 1) audience attendance; and 2) books sold.
Geoffrey told us that they’d had tons of calls resulting from David’s NPR appearance and there were 350 reservations for the event. 350. On a Monday night in Kansas City. It was all going according to plan. Arielle grinned wide and David jumped up and down and danced like a giddy little school girl. Our panelists then showed up. John Mark Eberhart, former book editor of the Kansas City Star and of Chris Schillig of Andrews McNeal. Again, it never ceases to amaze us how generous book people are. David did his yogic vocal warm-ups while caffeinating heavily. Arielle chatted amicably with everyone. Then it was go time.
Geoffrey took us through a back entrance, very Spinal Tap-y and suddenly we were in the wings. We sneaked a peek. The library was magnificent, stately with simple Midwestern elegance.
Walking out onto that stage was such a rush. Getting blasted by the psychic power of all those hopes, insecurities, desires, passions, conflicts, and wild dreams, neurons firing all their nervous energy. David made his living for 20 years as an actor. He’s been in front of thousands of crowds. But mostly when people come to watch a play, or see some comedy, or hear some music, the atmosphere is relaxed, happy, excited for some fun. There is nothing asked of the audience except their kind attention and deep love. Our audience is full of tension-wracked writers, tight and taut as a wound ratchet, a frayed nerve.
There’s a scene in 127 Hours where our protagonist has already chopped the skin and bone of his arm off with a rusty knife. All that remains is that one long exposed nerve that connects your arm with your hand. Watching him cut that nerve was excruciating. That’s what some of these writers look like. Grappling with whether they can even get up in front of that mike, in front of that crowd, and say to the whole wide world, “I am a writer, and here is my story.” Then there are the overconfident ones, convinced that there’s no way they can’t win. All their friends and family tell them they’re great writers. Most of them will have a rude awakening. David likes to squint his eyes and look into the lights a little as he takes in the crowd. They look like a Monet painting, all the colors and faces blending and blurring together. It’s beautiful.
And then we were off. Pancreatic cancer and sexual abuse, geeky superheroes and sickle cell real life heroes, American slavery, computer chips implanted into heads, liberal grandparents and 70s wrestling. This is America, ladies and gentlemen. Geoffrey of Rainy Day said, “I sell books in less than 60 seconds…at full retail,” and brought the house down. John Eberhart quoted HP Lovecraft when talking about monsters: “You have to open the door just enough.” Chris Schillig reminded us of the importance of comparative title. In the end, we picked Jennifer Albin, who delivered the goods big-time with an outstanding futuristic yarn full of spinsters and crazy love triangles, and the fate of the planet hanging in the balance.
Then we signed books. It’s fascinating to meet all these people and hear their stories. We sometimes feel like we’re in the middle of an Andy Warhol movie, where everyone is making their pitch for their 15 minutes of fame. We also get re-amazed every time by how many different types of people have a mad desire to write a book.
Drained and satisfied, thanked and thankful, we were taken for barbeque by Geoffrey, where we got the final tally. 184 books sold. We did it. We broke our record. We love you, Kansas City!
The book still lives.
And so does its ever-faithful lover, the independent bookstore.
Despite the economic downturn, book superstores, the ordering ease of Amazon.com and the surging popularity of e-books, independent bookstores in New Jersey have managed to stay alive.
Some have found niches — old and rare books, in particular — no chain bookstore can compete with.
Others concentrate on providing personal, first-name service as friendly neighborhood bookstores.
And when nothing else works, they bring in the occasional sword swallower or fire-eater.
“I like to indulge my impresario proclivities,’’ says a smiling Alex Dawson, co-owner of the Raconteur in Metuchen, which has hosted circus sideshow performers, arm-wrestling and beard-growing tournaments, jazz groups from Paris, radio serials and more — all free of charge.
The Cranbury Bookworm, on Main Street in that Middlesex County town, could fit an entire circus in its 10 book-jammed rooms, but right now manager Andrew Feldman is concerned with bringing the once-doddering aunt of a bookstore into the modern age. He’s adding new shelves and is turning a side room into an event space for readings and presentations.
Margot Sage-El, meanwhile, is worried about e-books.
“They’re the big threat,’’ said Sage-El, owner of Watchung Booksellers in Montclair. ”We have third graders asking parents for Kindle.’’ Sage-El smiles. “And nobody turns down their kids for books.’’
In 2000, there were about 3,000 independent bookstores nationwide. Now there are about 1,700, with about 25 true independent bookstores (as opposed to gift stores that may sell books) left in New Jersey.
It’s not an encouraging number, but Sage-El, for one, believes the worst is behind.
In January and February 2010, sales at Watchung Booksellers dropped so dramatically, it was “horrifying,’’ according to Sage-El.
“I thought, oh my God, is this it? Is this how we’re going to end?’’ she said.
But sales picked up that March and April, and the bookstore is now holding steady.
Oldie but goodie
If Bob Ruffolo hasn’t quite felt the pain of other independent bookstores, he still realizes that he can’t afford to be stubborn when it comes to prices.
Ruffolo is the owner of Princeton Antiques in Atlantic City. It’s an antique store in name only; his father, an antiques dealer, owned a shop in Princeton before moving to Atlantic City. He bought a three-story building on Atlantic Avenue in 1966, and lived upstairs with his librarian wife. “He was married four, five times,’’ his son said, smiling. ”I think my mother was No. 2.”
Books supplanted antiques long ago; Princeton Antiques is now home to 250,000 used and rare books. Most ordering happens online; browsing in-store is by appointment only. Of the 250,000 books, about 100,000 titles are computerized; the remaining titles are listed on index cards.
The store’s specialties include art, science, architecture, ships, and Arctic and Antarctic exploration. Ruffolo owns about 100 early editions of Jane Austen’s “Pride and Prejudice.’’ Ruffolo has a two-volume first American edition of an Austen set priced at $9,000. An early illustrated edition of ”Price and Prejudice’’ costs $750, but the price is negotiable.
“Depends what bills are due,’’ Ruffolo said.
He recently sold a first edition of “A Christmas Carol’’ for $4,500 to an artist. His most valuable item is a collection of 150 books owned by a former president of Venezuela. Yours for $100,000.
But major sales are few and far between; the typical book is about $35.
“The last two years have been lean years,’’ said Ruffolo, who rents rooms upstairs to help defray expenses.
Once a month, he hits the road to check out private collections; most recently he was in Baltimore.
“The pleasure of this business is selling a book to someone, whether they paid $30 or $300 for a book, and getting a thank-you,’’ the bookstore owner said. “They are passionate about paying something for a book they’ve been trying to get for a long time.’’
Place to gather
At first glance, the Raconteur resembles a museum of oddities more than a bookstore.
The decor includes a stuffed pheasant, steamer trunk, Ouija board, a Christmas light made of shotgun shells, giant mounted bugs, a G.I. Joe lunch box, Underwood typewriter, a scarred but in-tune piano salvaged from a shut-down saloon, a knight’s helmet and three beer taps from the Plum Street Pub in New Brunswick, where Dawson once worked.
Oh yes, and 25,000 books, neatly arranged, although some are intentionally stacked on the floor because people “like sorting through the piles — that’s where they think the treasure is,’’ according to Dawson.
The former bartender, bouncer and Central Park carriage driver wrote and designed 15 plays for the New York stage, but could never get used to the “fleeting, ephemeral’’ nature of theater.
So he opened the Raconteur six years ago, envisioning it not just as bookstore, but a “free cultural center’’ and community gathering place.
Dawson holds about 80 events a year in the bookstore — author appearances, readings, musical performances (everyone from chamber music to hard-core punk), and film screenings. And let’s not forget the annual arm-wrestling competition, called the Santiago Armsport Tourney in honor of the arm-wrestling fisherman in Hemingway’s “The Old Man and the Sea.’’
There’s a record store of sorts downstairs, 4,000 DVDs for rent (“Mad Dog Morgan,’’ anyone?) and a children’s corner in the back.
Dawson is the author of an adventure book for young readers titled “The Rapscallion Club,’’ which manages to include french fry contests, bullet ants, umbrella combat, dead pirates, lost treasure and a Titanic survivor. The first ”draft’’ sold about 500 copies; a fuller version, the first in a projected series of 10 books, is due out in a month or two.
In the 1980s and 1990s, bookstores “didn’t have to be good to make money,’’ according to Dawson.
Those days are long gone.
“Recessions don’t affect independent bookstores because you’re always struggling,’’ he said wryly.
Last weekend, John Wesley Harding, the esteemed neo-folkie singer/songwriter, appeared at the Raconteur under his real name — Wesley Stace, author of “Charles Jessold, Considered as a Murderer.’’
The Raconteur is not your typical neighborhood bookstore, but there is still a bottom line to maintain.
“I don’t want to be a bright grocery store of books,’’ Dawson said. ”It’s all about creating a singular experience. You don’t get a singular experience online.’’
“We’re kind of purists,’’ Sage-El says when told of the dizzying variety of events at Dawson’s bookstore.
But that doesn’t mean just put out books and hope they sell.
Watchung Booksellers opened in 1991 above the old Bradner’s Pharmacy. In 2001, it moved to its present location, just down the street. Sage-El, who previously worked in educational publishing, calls Montclair “a town that really values the word.’’ Sixty authors, by her estimate, live in town.
There are bi-monthly “Writing Matters’’ panels where local authors talk about writing and publishing, and an annual event where children write for an in-house magazine, then read from their work at the store.
Sage-El also donates $8,000 to $10,000 in books a year to schools, churches and civic groups.
But hard-core punk bands in her bookstore? That’s where she draws the line.
Many customers who order from her online pick up their books in person. They want the personal touch, the connection.
Sage-El says publishers are paying more attention to independent bookstores. She is encouraged by the “renaissance’’ of indie bookstores in Brooklyn, with five stores opening there in the past three years.
The future of her bookstore?
“I am concerned,’’ she replied. ”So far we’ve been able to ride out any other obstacle. I’m proud I’ve never had to lay anyone off or cut anyone’s hours.’’
The old-fashioned way
After all these years, the Worm still turns.
For many years, the Cranbury Bookworm was a cheery chaos of a place, with books scattered on the floor, jutting from shelves, housed in a warren of 10 rooms that Alice in Wonderland would have appreciated. One upstairs room is smaller than a bedroom closet; even the bathroom has been turned into book space. When it opened in 1974, the Cranbury Bookworm occupied just one room in the Victorian home; the other rooms were occupied by municipal offices, a dress shop and a Venetian blind shop.
The original owner, Ralph Schremp, died in 2002. Today, Feldman and his father run the bookstore; Schremp’s widow, Ann, owns it, and the building.
There are about 100,000 books in all, and some are on the floor — but in post office crates. Books on the back porch are six for a dollar. The books inside are in alphabetical order by section, but nothing is computerized. Prices are marked in pencil inside each book; most hardcovers range from $5 to $8, all paperbacks are 50 cents.
Feldman, who started working here when he was 15, goes on estate calls: Orange, Lakewood, Robbinsville in recent weeks. And he and his dad are regulars at flea markets and garage sales.
The 30-year-old has gotten used to first-time customers walking in, spotting him and asking, “Can I talk to the manager?’’
“ ’08 and ‘09 were trying years,’’ Feldman said. ”There were weeks we made $500. You can’t make payroll that way. It was scary. But we made it. We survived.’’
Really fun Pitchapalooza on KCUR-FM/KCUR-HD1 | Kansas City Public Radio
“I’m reading a new book I downloaded on my Kindle and I noticed an underlined passage. It is surely a mistake, I think. This is a new book. I don’t know about you, but I always hated underlined passages in used books…. And then I discovered that the horror doesn’t stop with the unwelcomed presence of another reader who’s defaced my new book. But it deepens with something called view popular highlights, which will tell you how many morons have underlined before so that not only you do not own the new book you paid for, the entire experience of reading is shattered by the presence of a mob that agitates inside your text like strangers in a train station.
“So now you can add to the ease of downloading an e-book the end of the illusion that it is your book. The end of the privileged relation between yourself and your book. And a certainty that you’ve been had. Not only is the e-book not yours to be with alone, it is shared at Amazon which shares with you what it knows about you reading and the readings of others. And lets you know that you are what you underline, which is only a number in a mass of popular views…. Conformism does come of age in the most private of peaceful activities–reading a book, one of the last solitary pleasures in a world full of prompts to behave. My Kindle, sugar-coated cyanide.”
–Andrei Codrescu on NPR’s All Things Considered
After having travelled America coast to coast Pitchapaloozing, we were extremely excited and slightly terrified to bring it to our own hometown: Montclair, NJ. Because Montclair is populated with publishing professionals (shake a tree here and an editor from Harper Collins or a New York Times writer will fall out), we were worried that the jaded been-there, done-that mentality might make our event seem passé. But we also know that basically everyone in Montclair wants to write a book, so we were optimistic that there were enough writers who would be hungry to dine at our publishing buffet. Plus we had an all-star panel of judges: Dominick Anfuso, Editor-in-Chief of The Free Press/Simon & Schuster, agent Liza Dawson, founder of Liza Dawson Associates, and Pamela Satran Redmond, New York Times bestselling author and founder of MEWS.
While we started a little late in the game with publicizing our event, we ended up working our tails off to get the word out. We hooked up with Meetup groups, sent stuff to the Montclair State University student newspaper, and its writing department. We got something up on Baristanet, and a couple of pieces in the Montclair Times. Margot Sage-El, the amazing owner of the amazing bookstore, Watchung Booksellers, did her part getting the word out via her website and emails. We also put up posters in the bookstore and at strategic spots in town where writers like to hang and sip their decaf soy lattes with just one shot. The piece on Baristanet sparked some flaming, hate spewing in the comments. Montclair seems to be such a liberal, happy place, but there can be an undercurrent of profound anger bubbling just below the surface. Very David Lynch-ey.
It was a freezing, frigid night. David arrived at 6:15 to help the videographer who was nowhere to be found. The library tech guy announced at 6:40 that the sound system they promised us “wasn’t working.” David, seething, asked the library tech guy what he meant. He explained, that the sound system they had promised didn’t, in fact, work. David, now livid, demanded an explanation. The library tech guy explained that the sound system wasn’t working and he apologized very nicely. David, overwrought, immediately began to assemble his portable sound system–yes, David travels with a portable sound system for just this very reason. And since we were videotaping this Pitchapalooza, we had to have sound. Arielle had not yet arrived, but Montclair’s best and brightest were already piling in by the score. The wonderful staff of Watchung Booksellers, who were sponsoring our event, were frantically putting out more chairs, always a good sign 10 minutes before an event. The videographer finally called, her GPS sent her through Chinatown from Long Island.
Arielle had still not arrived when David had managed to hook up and amplify three mikes. Made them hot. The judges arrived. Steven Pace and Michael Rockliff, two of our favorite people from our publisher, were there. At 6:55, the videographer arrived, a whiff of Chinatown wafting after her. She began frantically setting up. At 6:58, Arielle showed up. The babysitter had been late, some horrendous accident with ambulances had blocked up the streets of Montclair, and there were no parking spaces. Her cheeks were radiating red as she tried to catch her breath as she settled into her judge’s chair. Imagine our gratitude and joy when we started the show at 7:07, exactly as planned, with the cameras rolling and someone from the Montclair Times snapping pix.
Compared to places like Denver, Colorado and Naperville, Illinois, it seemed at first to be a rather subdued crowd of about 125. But once the train started rolling, we heard some top-notch pitches. Ani, an autistic artist and visionary had a stunning book that’s a visual representation of how her autistic mind/soul/spirit sees the world. Plus she has cool green hair. A poet writing a memoir from the POV of a house. A guy who had been tortured by nuns as a kid. But the winner blew everyone away. Wearing a sweatshirt that said, “Careful or you’ll end up in my novel”, she rocked a revisionist historical novel about the Founding Fathers and the creation of America. Spellbinding, smart, timely and timeless, historic and au currant. Plus—get this–she was 15 years old! David confessed afterwards that he had never felt stupider remembering what he was doing at 15.
As usual, our panel doled all kinds of precious info. At one point Dominick said, “I don’t know exactly what your book is. The voice isn’t distinctive and unique. I wouldn’t know which editor I would send assign it to.” Fascinating to see the world through the eyes of a guy deciding which editor to choose. Liza Dowson pointed out the basics clearly, precisely and warmly. Who is the audience? What are the comparable writers/books? Why are you the person to write this book? Pamela Satran Redmond, gushed over a great pitch for a grandmother naming book (she is the author of some of the bestselling naming books of all time) and handed out helpful hints and bon mots about locating, reaching out, and touching your audience.
After the event, the grandmother naming book lady was besieged by admirers and publishing peeps. Our 15-year-old winner (the youngest in Pitchapalooza history) was wide-eyed, stunned, and giddy with glee. Apparently she’s finished five drafts of the novel, but is not quite satisfied yet (why can’t all writers think like this?!). Afterwards people were so nice. It was great to catch up with Montclarian amigos and make lots of new friends among our homies. Laura Schenone, James Beard Award winner and author, and Herb Schaffer, President of Schaffner Media, sat right in front. Laura and Herb also happen to be our closest friends here in Montclair. It was strangely comforting to have our extended family in the hizzle laughing and nodding in all the right places.
We also tried something new. We announced a paid workshop at the Pitchapalooza, then rented a room a week later to do our Stanford University presentation: How to Get Successfully Published. We had no idea if it would work. But we’re constantly trying to evolve the way we get our ideas out into the world. Trying the next thing to see what you can learn to make your thing more easily accessible, simpler for someone who wants it to say: YES.
There was a lot of Montclair love at the Montclair Public Library. The library was great, sound system notwithstanding, and they continue to be an incredibly underrated resource in our community, one that must be supported, nourished, and treasured. Thanks Montclair. We’ve been here 3 years and change, and we can honestly say, Montclair has been very, very good to us. Next stop, Kansas City!
Consider 25 Sophie’s Choices.
Consider 25 juicy, delicious pitches.
Consider that you only get to choose one.
We did. And after much consideration, we have chosen a winner. It was not an easy choice! There were just so many great pitches. But we kept coming back to one. And that one, as you may have guessed, is Sparrow Migrations by Cari Noga. Cari’s storytelling ability , strong voice, and her idea to revolve her book around an event that captured America, won us over. We really wanna read this book. Congratulations Cari!
As for the fan favorite, the fans have spoken and the winner is…drum roll… Out of the Woods by father-son team, David and Ben Ash. Congratulations guys!
Thank you all so much for participating in what, for us, has been a fabulously fun Pitchapalooza. We hope EVERYONE gets happily published!