The Book Doctors first met May Cobb at the 2011 Texas Book Festival in a town that is one of our all-time favorites: Austin. For those of you who haven’t been, you’re doing yourself a great disservice. It’s one of the great book festivals, in one of the great cities in America. May was one of the brave souls who pitched her book to us in front of a packed house at our Pitchapalooza . Think American Idol for books … only kinder and gentler. She dazzled us with her idea for a book about the great jazz musician, Rashaan Roland Kirk. We could tell from the moment she stepped up to the microphone that she had the nerve, skills, talent, and that indefinable je ne sais quoi that makes one think: Yes, this woman knows how to get things done. In fact, we liked her pitch so much that she won! As often happens, this idea was not the one that became her debut book. In fact, as she honed and refined the book she pitched us, she wrote a novel, Big Woods and got it published. One of the things that we love about being book doctors is helping a talented writer become a published author. So now that her debut novel is finally out in the world, we thought we’d pick her brain about writing, rejection, and how she navigated the stormy seas of the publishing world to get successfully published.
The Book Doctors: Congratulations on publishing your first novel. Tell us about Big Woods.
May Cobb: Thank you so much! BIG WOODS is a thriller set against the backdrop of 1980s small-town Texas and delves into the paranoia surrounding satanic cults. It revolves around the disappearance of a young girl, whom everyone presumes is dead except her older sister who begins having dreams about her, insisting she is still alive.
It’s based on a true, eerie story my mom told me while growing up in East Texas, where Big Woods is set. For two years, my mother, a nurse, worked in the psychiatric unit of our small town’s hospital. It was located in the basement and she worked the graveyard shift. One night, a young woman in ripped clothing appeared at the unit and begged to be taken into hiding. She kept saying, over and over again, “You have to hide me. They are going to find me and they are going to kill me.” I don’t want to say much more for fear of giving away the plot, but that story was the genesis for BIG WOODS.
TBD: How was the process of trying to find the right agent for your book, then finding a publisher of your own? Did it help that you found a publisher who does books that match up so well with Big Woods?
MC: Arielle helped me a great deal with my agent search (in addition to everything else!) After approaching a handful of agents who passed — some whom I’d met at conferences, others, referrals — Arielle had me write up a list of thirty agents I’d like to approach. She carefully reviewed this list and dropped a few names and suggested a few others. Next, Arielle helped fine-tune my query letter so that it was in tip-top shape and within 48 hours, I had an offer! Within a week of that initial offer, I had two additional offers and then had a very big decision to make!
My agents, Ellen Levine and Alexa Stark, found a warm and welcoming home for Big Woods. While the novel was out on submission, I was as cool as a cucumber and so much fun to be around! And I was wildly productive writing-wise. I’m kidding, of course, I was a bundle of nerves, developed insomnia, and couldn’t write a lick. But my pot at the end of the rainbow came in the form of getting the “yes” from Midnight Ink. I knew the minute I spoke with Terri Bischoff, my editor, over the phone that Big Woods had found the home it was meant to find.
TBD: What was it like getting published by a wonderful independent publisher, Midnight Ink?
MC: It’s been absolutely incredible, ever since that first phone call with Terri. Terri had fantastic notes for the novel and is so warm and brilliant — just a delight to work with, as is the entire Midnight Ink Team (waving at you Jake and Anna), as well as my publicist Dana Kaye of Kaye Publicity. Everyone is so talented and dedicated and collaborative!
TBD: How did you know about getting your Book Launch Party at one of the greatest bookstores in America: Book People in Austin, Texas?
MC: I’ve lived in Austin for the past twenty years and Book People is hands-down one of my favorite places in Austin as well as my favorite bookstore ever. Of course I’ve gone to tons of readings and signings there, and it has been a long-held dream of mine to have a book party there, so I was thrilled when they gave me the green light. And the literary community in Austin on the whole is so wonderfully supportive, I feel damn lucky to be living here.
TBD: Tell us about your relationship with National Novel Writing Month. How do writers benefit from NaNoWriMo?
MC: I shadow NaNoWriMo every November! I wrote a big chunk of Big Woods during a NaNoWriMo and while it sounds daunting to try and complete a novel in one month, I think the time crunch really helps silence the inner critic that is always, always lurking. It does for me anyway.
TBD: How did you go about winning the online Nanowrimo Pitchapalooza?
MC: I was aware of the contest from having the absolute privilege of working with you guys on my nonfiction project and was excited by the challenge of crafting a pitch to enter the contest. But I could not believe that my pitch actually won, and it gave me such a boost during a time I needed it most. Not to mention, your feedback was exquisite!
TBD: What did you get to start writing for the Washington Post?
MC: This literally came out of the blue. One day, while my husband, mother, and I took our young son to a park in Austin, the police were called on us because (gasp!) my son’s hair was a bit messy and his pants were a bit short. He is six and autistic, and the responding officers were so gracious when they arrived and questioned us because they could instantly tell that nothing was amiss, and that our son has special needs. I came home and immediately reached out to the editor of that particular column and she responded that she was very interested, but suggested that I sit with the story for a while. She didn’t want a vent piece and could tell that I was still upset by the incident.
So I did as she suggested and mulled it over for several weeks. Then one evening, the essay came together rather quickly and she accepted it. I did not anticipate the flurry of responses we would receive (both negative and positive) — the piece generated over 2k comments and the Post ran it on their homepage the following Sunday. Ana Navarro of CNN tweeted in solidarity of the essay, which, in turn, made my twitter feed explode, mostly with other parents in our same situation reaching out, which was so gratifying and I’m grateful for Ana for tweeting about it.
TBD: How did you get this great blurb?
“Stephen King’s Stand by Me collides with Gillian Flynn’s Sharp Objects in this exceptional thriller. Gutsy, gripping―and pitch-perfect in its resurrection of an era long gone.”
―A. J. Finn, #1 New York Times bestselling author of The Woman in the Window
MC: I approached authors whose work I deeply admired and had been inspired by. In the case of A.J. Finn, I reached out to Finn before THE WOMAN IN THE WINDOW was published. I was aware of it, namely because it had been such a spectacular deal with the film rights selling instantly to Fox, and also, I absolutely loved the premise of a woman who is shut in her apartment but believes she’s witnessed a murder across the street. Also, the title reminded me so much of one of my favorite novels from my graduate studies, Wilkie Collin’s famed, Victorian-era detective novel, THE WOMAN IN WHITE.
While I was waiting to hear if Finn would indeed blurb BIG WOODS, I read (devoured) THE WOMAN IN THE WINDOW the day it was published and was completely gobsmacked by it. His prose is just astonishing — just so gorgeous and lyrical — and his gift of suspense and propulsion is unparalleled. And also, there’s this great wit in the novel. It’s one of my top favorite novels of all time. So, while I was reading THE WOMAN IN THE WINDOW, I was inwardly wincing, thinking, “He’s going to be so bored if he gets around to reading BIG WOODS.” And when I followed up with him and heard back that he was blurbing BIG WOODS (and comparing it to King and Flynn) my head spun! I had to read the email three times before I could believe it and I cried, I was so happy and so moved.
TBD: How did you get to be a finalist in the 2015 Writers League of Texas Manuscript? Did it help your career?
MC: As you guys know, BIG WOODS interrupted a twenty year nonfiction project which I’m currently finishing up. It’s the story of the late, jazz great, Rahsaan Roland Kirk, and in 2015, I submitted a portion of the book to the Writers League of Texas Manuscript Contest. I was so thrilled to find it was named a finalist. I do feel it helped me get my query noticed by agents and editors and, also, the Writers League of Texas has just been instrumental all the way around with nurturing my writing path — such a fantastic organization.
And in 2016, BIG WOODS was chosen as the Winner in the same contest and I feel like that was very instrumental in my having the confidence to finish the novel!
TBD: We hate to ask you this, but what advice do you have for writers?
MC: Surround yourself with people who believe in you and shut out the chorus of voices that tell you writing is an impossible career choice. Also, keep your overhead low and find a good mechanic! And more than anything, realize that you can write in 15-minute bursts of time. Even if it’s a sentence or a single paragraph. It all adds up. Most of BIG WOODS was written in stolen moments — while my husband was bathing our son, while I could’ve checked into Facebook but didn’t — and I was able to hammer out the first draft in a year. And finally, it must be said: if you’re able to, work with the Book Doctors! I would not still be writing today if it weren’t for you guys.
May Cobb grew up in the piney woods of East Texas where her debut thriller, Big Woods, is set. After college, she moved to San Francisco, where she studied Victorian Literature for her Master’s, and then lived in Los Angeles for a few years where she worked for filmmaker/writer Ron Shelton and his wife, the actress Lolita Davidovich. For the past twenty years, she’s been working on a nonfiction book about the late, great, jazz artist, Rahsaan Roland Kirk. Her writing has appeared in The Washington Post, The Rumpus, Austin Monthly, and Edible Austin. Cobb now lives in Austin with her husband and son.
Arielle Eckstut and David Henry Sterry are co-founders of The Book Doctors, a company that has helped countless authors get their books published. They are co-authors of The Essential Guide to Getting Your Book Published: How To Write It, Sell It, and Market It… Successfully (Workman, 2015). They are also book editors, and between them they have authored 25 books, and appeared on National Public Radio, the London Times, and the front cover of the Sunday New York Times Book Review. Get publishing tips delivered to your inbox every month.
Writer beware! Disreputable author service companies often masquerade as legitimate publishers. Here’s how to publish a book without getting scammed.
WHAT WE COVER
0:20 What’s the difference between a publishing scam and a legitimate publishing company? Arielle shares an example from an author whose “publisher” didn’t do any marketing and publicity for the author’s first book. Now the author can’t sell the rest of the series to a legitimate publishing company. Turns out, the author used a disreputable author services company.
1:09 What is an author services company? Some author services companies take an author’s money and don’t do any work. At the most they might put your book on Amazon.
1:37 How can writers tell the difference between scammers and legit publishers?
1:58 What about publishers who ask authors to pay for services? What about publishers who ask authors to buy back copies of their book?
3:07 What is a micro-publisher? David shares his wonderful experience with a micro-publisher, including what the publisher did and what they couldn’t do.
3:59 Research is key.
4:40 The consequences of when a literary agent or legit publisher googles your book.
4:58 There are legitimate assisted self-publishing companies and legitimate author services companies. The companies include Bookbaby, She Writes Press, IngramSpark, and Createspace.
5:23 When it’s okay to give these companies money for marketing your book.
6:00 Reach out to authors who have been published by these companies.
6:20 Let us know your stories and questions in the comments section.
THE BOOK DOCTORS
We’re Arielle Eckstut and David Henry Sterry. Between us, we have a quarter of a century’s worth of experience turning talented writers into published authors. Arielle is an author and literary agent-at-large at the Levine Greenberg Rostan Literary Agency. David is an author, and before writing professionally, he was a comic and actor. We’re dedicated to helping writers get their books published. Successfully!
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Our book, The Essential Guide to Getting Your Book Published, takes you through the entire process of conceiving, writing, selling, marketing and promoting your book.
How to Get Your Book Successfully Published
LIMITED TO 8 WRITERS
We have helped hundreds of writers get successfully published through our workshops and our book, The Essential Guide to Getting Your Book Published. Now we are opening up our home and taking to the web to host two six-week master classes that will be tailored to the books of the eight writers who participate. You will come out of the master class with:
- A polished pitch
- A bio that brings the best out in you
- Comparable titles
- A publishing strategy: Agent/Big 5 publisher, independent publisher, or self-publishing?
- A list of agents or publishers tailored to your book
- A toolkit to build your platform
- And much more
The class will be limited to eight writers.
WHEN: In-person classes will be Mondays from 7-9PM beginning September 17, 2018. Online classes will be Sundays from 3-5PM (EDT) beginning September 16, 2018.
WHERE: We’re hosting the in-person master class in Montclair, NJ. The online master class is open to anyone with an internet connection anywhere in the world.
PRICE: $650 through June 17, 2018. $750 beginning June 18.
Interested? Want to join a master class?
Contact us at email@example.com for more information.
It’s hard to be a writer in the Bay Area and not know Charlie Jane Anders. Besides being a prolific writer, she is an incredibly generous networker and runs an absolutely awesome reading series called Writers With Drinks. So we thought we’d check in with her and pick her brain about novels, writing, reading, and all that jazz.
The Book Doctors: In some ways, your book defies categories. To us, it felt like magic realism, but it has elements of fantasy, cyber-steam punk, and coming-of-age. When you sat down to write this book, did you think about what category it would be in? Did this make it more difficult to sell the book and find an audience?
Charlie Jane Anders: When I started to write All the Birds in the Sky, I was attracted to the idea of smushing together fantasy and science fiction by having a witch and a mad scientist in the same story together. I thought of the book initially as sort of pastiche or spoof. I would have all these standard fantasy tropes and these science fiction tropes, and they would be colliding in a funny way. That turned out to be very, very boring. Instead, I had to think more about what these two genres meant to me and how I connected to each of them personally. I was terrified that this genre confusion would make the book a hard sell — but it turned out the bigger problem was the fact that it starts out with the characters as little kids and then we see them grow up about 100 pages in. It seemed like some people could not quite wrap their minds around the idea of a book that feels like a young-adult novel at first but then becomes an adult novel. I was so grateful that my agent and publisher were willing to roll with it and didn’t try to get me to restructure the book, with flashbacks or whatever.
TBD: David has, because of many personal experiences, felt like an outsider most of his life. So he especially related to the main characters of this beautiful book, and we wondered if your experience as an outsider helped shape these characters, who are fighting against a world that sees them as different, unusual, bizarre, and ultimately, threatening.
CJA: The theme of feeling like an outsider kept coming up in this book, in part because of the decision to start out with the main characters as kids. I think a lot of people can relate, one way or another, to the sense of not fitting in or being misunderstood. I had a rough time in grade school and middle school for a bunch of reasons, and I felt like writing honestly about growing up meant that I had to capture some of that emotional and physical insecurity that so many of us have lived with. And yet, having the kids grow up and live as twentysomethings meant that we got to see them as powerful adults, with control over their own lives and agency and all that goes with that. They can’t escape from being shaped by their childhood experiences, but they can choose how they deal with it.
TBD: You have put a lot of time and effort into reaching out to a community of writers. We suggest this to our clients all the time. How did you do this, and has this helped you in your writing career?
CJA: I can still easily remember when I felt totally isolated as a newbie fiction writer, and how hard it was to find people to connect with. Whatever point you’re at in your career, writers really need to stick together, to help deal with the pressure and insanity of the creative process and the publishing biz. I’ve had a blast curating Writers With Drinks, the reading series that I organize and (usually) host in San Francisco. I have gotten to meet a whole bunch of amazing writers — including David! — and hear them read. And it’s been a thrill to expose people to a new audience, especially since Writers With Drinks usually has as many different genres and styles as I can fit into one event. So you might come to hear the science fiction author, but discover a new favorite poet. But just as valuable has been the social aspect — an event where we’re all creating something together and nobody’s competing has been great for helping me (and hopefully others) make friends. I think being around these awesome, talented people has helped me raise my game as a writer, because I get to hear/read some of the best examples of the craft every month.
TBD: David has read several times at the fantastic reading series called Writers with Drinks, at the deliciously named Make Out Room in San Francisco, and he always has a blast. What have you learned by watching the hundreds of writers that you have wrangled into this wildly successful series?
CJA: Ha, see above. To add to what I wrote up there, I think that part of the fun of Writers With Drinks has been the thing of combining different genres and getting to see how a stand-up comic, a slam poet, a science fiction author and a literary memoirist are using some of the same techniques and approaches — just with different end goals. Plus you get to see how each genre is powerful in its own particular way. I love when you get people laughing their ass off one minute and then being moved to tears the next.
TBD: Tell us about io9 magazine.
CJA: Getting to be involved with the creation of io9 was one of the greatest opportunities of my life. Annalee Newitz, who founded io9, wanted to blend science and science fiction in a kind of homage to Omni Magazine, and it was really inspirational to see how the two things informed each other. After eight and a half years, I came away with a really strong sense that we are 100 percent living in the future. And I basically got paid to geek out about storytelling, and sometimes my half-baked ideas about books, movies and TV shows led to some of the most fascinating conversations with our readers and other folks. It was like getting paid to go to grad school.
TBD: You’ve been published in tons of small magazines and journals, like Tin House, McSweeney’s, and Zyzzyva, to name a few. How does a writer get published in these places, and how has this helped you in your publishing career?
CJA: When it comes to Tin House and McSweeney’s, I was only published on their websites, but it was still a major honor to be featured there. And getting into ZYZZYVA was one of the coolest things that ever happened to me. This super well-respected literary magazine chose to publish me way, way back when I was just starting out and barely getting my stories into tiny zines and the occasional website. In general, I published tons and tons of fiction in small publications, many of which have gone under or never received any exposure to speak of. Early on, I would publish stories pretty much anyplace that was willing to consider them, including one of those adult newspapers that’s mostly a vehicle for stripper ads. I didn’t make a lot of money from doing that, to say the least, but it was good to get the experience of having my creative writing appear in a lot of places and dealing with editors and readers. The whole process of making up a story — and having it turn into something that other people read and take in and form their own relationship with — is so weird, it might be kinda good to get used to it before you start reaching a bigger readership.
TBD: You won an Emperor Norton Award. First of all, what is that exactly, and how did you end up becoming a winner of this prestigious award?
CJA: Oh ha ha ha… the Emperor Norton Award for Extraordinary Invention and Creativity Unhindered by the Constraints of Paltry Reason is something that Tachyon Publishing and Borderlands Bookstore were doing for a while there — I don’t know many of them they gave out, but I was so thrilled. I think something about the weird, silly intros I cook up for the authors at Writers With Drinks, plus my bizarre fiction, struck someone as unhinged, in a good way. I was very flattered — hinges are good for doors, but I think a lot of people could stand to be a little less hinged. I’m always kind of scared of how many people seem to think they have everything all figured out.
TBD: You are a self-described “female geek.” What does that mean to you? And tell us about the anthology you put together that embraces this particular demographic.
CJA: Way back in 2006, Annalee and I were both approached about editing anthology projects for Seal Press, and we decided to collaborate. Our book was called She’s Such a Geek, and it was a collection of essays by women in science, technology and other geeky fields. We put out a call for submissions, and we were just blown away by the hundreds of submissions we received. There were a lot of heartbreaking stories by women who had been at the top of their class as undergraduates but then got treated horribly in grad school. A lot of geeky women of color shared stories of hearing subtle (and not-so-subtle) messages about their ability to keep up and contribute. There were also a ton of uplifting, thrilling stories of geeky triumph and discovery, from women who discovered a love of science, math, tech, gaming or science fiction and found that it changed their lives. It was an eye-opening, intense experience. Since that book came out a decade ago, we’ve seen way more women celebrating their geek identity, and venues for female geeks to come together. There’s an annual event called GeekGirlCon and a ton of other stuff. It’s been so awesome to see that happen.
TBD: In All the Birds in the Sky, Patricia the witch forms a really strong bond with her cat, Berkley. What happens to the cat after she goes off to magic school?
CJA: A ton of people asked me what happened to Berkley, who’s very important in Patricia’s life when she’s in middle school. I learned the hard way that you can’t leave any loose ends where cats are concerned — unless they’re loose ends in a ball of yarn, in which case go ahead. So I wrote a story called “Clover,” which is available at Tor.com, to explain what happened to Berkley later on. This turned out to be one of those things where you start pulling on one thread — to continue the ball of yarn metaphor — and then all sorts of interesting things start coming out. I ended up getting a chance to explore a bit more about the use of magic in my fictional world, and approach it from a very different direction than I did in the book, thanks to a different protagonist. Plus this story absolutely stands on its own — so if someone hasn’t read the book yet, this is a good way to dip into that world.
TBD: We hate to ask you this, but since you do have a column in which you give writing advice, what advice you have for writers?
CJA: The main advice I have for writers is to hang in there and keep writing. And also, to be kind to yourself. A writer — especially a beginning writer — has to keep two contradictory mindsets in order to keep going. You have to believe that you’re a flippin’ genius, your ideas are brilliant, and you’re a fantastic storyteller, or you won’t be able to summon the audacity and stamina to create the big, ambitious stories you want to tell. But you also have to be aware that your writing is going to have huge flaws, it’s easy to screw up, the craft takes a long time to learn (and you really never finish learning it), and when people criticize your work they’re probably on to something. That combination of hubris and humility can be hard to sustain and can easily drive you nuts. So be nice to yourself, and just keep writing even if you think you’re churning out garbage sometimes.
Charlie Jane Anders is the author of All the Birds in the Sky. She organizes the Writers With Drinks reading series, and was a founding editor of io9, a site about science fiction, science and futurism. Her fiction has appeared in Tin House, McSweeney’s Internet Tendency, ZYZZYVA, Pindeldyboz, Tor.com, Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, Lightspeed, and a ton of anthologies. Her story “Six Months, Three Days” won a Hugo Award and her novel Choir Boy won a Lambda Literary Award.
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We became aware of S.K. Ali from our good friend Ayesha Mattu, author of Love, InshAllah fame. When we found out about the amazing work she’s doing, we decided to get her two cents on Muslim voices, books, and gummies.
The Book Doctors: Why did you start #MuslimShelfSpace?
S.K. Ali: In early December, I tweeted a picture of my shelf of works by Muslim authors in response to the news of a book that “parodied” classic children’s book covers using extremely racist imagery of marginalized communities. My shelf of Muslim authors offered narratives that stared down the awful stereotypes of Muslims included in the “parodied” covers.
Friends wanted to post their own shelf pictures and we discussed how important it was that Muslim #ownvoices narratives be centered in order to counter all the Islamophobia the U.S. election season had brought to the fore, and voila, #MuslimShelfSpace was born. We launched the hashtag on January 1, 2017 and it garnered a lot of support from people committing to making space for Muslim authors on their shelves.
TBD: Why is it so important to hear our “own voices”?
SKA: Islam and Muslims are often, well, almost relentlessly, discussed in public spheres such as the media and politics, but Muslims who claim the identity are rarely involved in the conversations. The focus is on Muslims — without Muslim voices. When we have that happening — people of a certain identity talked about, talked of, talked for but never or very rarely DOING the actual talking — we can quickly slide onto the dangerous terrain of othering to the point of denying people’s humanity. And then we begin to see policies like the Muslim Ban moving into place.
If that itself is not enough of an important reason to hear own voice narratives, what if I said they were immensely more entertaining than the faked stuff? Because authenticity — of the rarely seen variety — offers fresh takes and whoa, you’ll be taken to places/spaces you might not have visited before. Fun!
TBD: What are some of your favorite books and why?
SKA: I have too many! Because my debut novel is Young Adult, I can tell you some of my YA/MG favorites:
The Chaos Walking Trilogy by Patrick Ness — breathtakingly ambitious and unique. The setting of the series is so out-of-this-world, yet familiar and the conflicts and issues explored are relevant to our point in time. It’s such an important series.
When You Reach Me by Rebecca Stead — crucial to me as a writer because it wasn’t afraid to be what it was: unconstrained. As writers, it’s important to go back to that space when you first discovered the thrill of creativity, before it became fenced (in your mind) by the mores of those who’ve already shaped the literary landscape(s). This book helped remind me to just be and write free.
The Disreputable History of Frankie Landau-Banks by E. Lockhart — I love girl power stories and this one was really well done, with a writing style that’s bare and upfront. It traces the moment of a girl waking up to the realities of gender inequity and proceeding to take the reigns of power into her own hands, all set to a backdrop of an old-money, private school.
TBD: What are your feelings regarding the Muslim ban imposed by the current administration?
SKA: The only feelings to be had on hearing such a vile thing: how does hate get to dictate the policies of a country with such a constitution, “We the People..”?
TBD: As a Canadian, how did you react to the Canadian terrorist attack by a white man on Muslims?
SKA: Utter sadness. And the remembrance that Canada is not immune to the Islamophobia sweeping many parts of the world.
TBD: How did you become an author?
SKA: Since I was 12, I’ve known that I wanted to tell stories. I proceeded to get my degree in creative writing and then set the dream aside when I embarked on motherhood and pursuing a career as a teacher. It was only recently — ten years ago recently — that I picked the dream up again. That meant writing, learning, rewriting, and repeating until I got a literary agent and sold my book last year.
TBD: Tell us about your book Saints & Misfits.
SKA: It’s about a Muslim fifteen-year-old, Janna Yusuf, who finds her voice in the midst of something painful. It’s also about the diverse communities, plural, she moves in — her high school, neighborhood, the Muslim community. I’m honored that Saints & Misfits will be the first YA novel published by a major publisher, featuring an American-Muslim in hijab, set in an American-Muslim community. The book also looks at relationships in various forms, including Janna’s friendship with an elderly Hindu neighbor.
“S.K. Ali’s Saints and Misfits follows Janna Yusuf, a geeky, hijabi Arab-Indian-American girl, as she navigates high school and the possibility of first love—even though Muslim girls aren’t supposed to date, right? She’s trying to figure herself out, along with her place in the world, especially if that means revealing a shattering secret that just might send ripples through her tight-knit Muslim community.” -Sona Charaipotra, “11 of Our Most Anticipated #OwnVoices Reads of 2017”
TBD: Is it true that there are halal gummy bears in the book?
SKA: Yes, definitely. And halal marshmallows. (Cue screams from the creeping-sharia-alert crowd.)
TBD: We hate to ask you this, but what advice do you have for writers and citizens who’d like to see more diverse books on the world’s shelves?
SKA: My advice for writers from marginalized communities is to write the stories you want to see. Don’t limit yourself with the thought that nobody wants them — because that’s NOT TRUE. I point to the multi-billion dollar Islamic fashion industry that now major corporate brands are wanting to break into. Muslims who couldn’t find the clothes they wanted made the clothes they wanted and customers found them and bought from them. Same thing with writers and other artists: make what you want to see/read/write and your audience will find you. Don’t be constrained by the canon that came before because that canon didn’t include you. (And, psst, another bit of advice: don’t delve on the why-it-didn’t-include-you thought too long because that’s how your writing won’t get done.)
People who’d like to see more diversity in literature can support own voice narratives by boosting authors writing from within their identities. [This is where I’d like to say, thanks, David!]
One thing not to do: PLEASE, PLEASE DON’T WRITE OUR STORIES FOR US. It’s really hard, impossible, even, to get it right and even the best-intentioned ones have a way of harming more than helping. And trust me, over the years, we’ve seen Muslim characters who, at their best, we don’t recognize and, at their worst, hurt us to the core with the way they’re depicted. For young readers especially, this kind of pain affects their understanding of their place in the world and that’s just too sad.
S.K. Ali is a teacher based in Toronto whose writing on Muslim culture and life has appeared in the Toronto Star. Her family includes Muslim scholars consistently listed in the The 500 Most Influential Muslims in the World, and her insight into Muslim culture is both personal and far-reaching. S.K. Ali’s debut YA novel is a beautiful and nuanced story about a young woman exploring her identity through friendship, family, and faith.
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MONTCLAIR LITERARY FESTIVAL presents:
THE BOOK DOCTORS PITCHAPALOOZA
APRIL 1, 4:30-6:00PM, MONTCLAIR PUBLIC LIBRARY
COME PITCH YOUR BOOK!
WHAT: Pitchapalooza is American Idol for books (only kinder and gentler). Twenty writers will be selected at random to pitch their book. Each writer gets one minute—and only one minute! Dozens of writers have gone from talented amateurs to professionally published authors as a result of participating in Pitchapalooza. At the end of Pitchapalooza, the judges will pick a winner. The winner receives an introduction to an agent or publisher appropriate for his/her book.
WHO: Arielle Eckstut and David Henry Sterry are co-founders of The Book Doctors, a company dedicated to helping authors get their books published. They are also co-authors of The Essential Guide to Getting Your Book Published: How To Write It, Sell It, and Market It… Successfully (Workman, 2010). Arielle Eckstut has been a literary agent for over 20 years at The Levine Greenberg Rostan Literary Agency. She is also the author of nine books and the co-founder of the iconic brand, LittleMissMatched. David Henry Sterry is the best-selling author of 16 books on a wide variety of subjects, including memoir, sports, YA fiction, and reference. His first book has been translated into 10 languages and optioned by HBOl; his latest book was featured on the cover of the Sunday New York Times Book Review. Arielle and David have taught their workshop on how to get published everywhere from Stanford University to Smith College. They have appeared everywhere from The New York Times to NPR’s Morning Edition to USA Today.
Our special guests for the Montclair Literary Festival are literary agents:
Liza Dawson, Liza Dawson Associates
Joelle Delbourgo, Joelle Delbourgo Associates Literary Agency
Monica Odum, Bradford Literary Agency
HOW: At Pitchapalooza, judges will help you improve your pitch, not tell you how bad it is. Judges critique idea to style to potential in the marketplace and much, much more. Authors come away with concrete advice as well as a greater understanding of the ins and outs of the publishing industry. Whether potential authors pitch themselves or simply listen to trained professionals critique each presentation, Pitchapalooza is educational and entertaining for one and all. Pitchapalooza has been covered by The New York Times, The Washington Post, The Wall Street Journal and many other publications.
WHERE: Montclair Public Library
WHEN: April 1, 4:30-6:00 — THE ONLY PITCHAPALOOZA IN NJ IN 2017!
PRIZE: The winner receives an introduction to an agent or publisher appropriate for his/her book.
“We came to Pitchapalooza with an idea and six months later we got a book deal with a prominent publisher. We simply couldn’t have done this without this opportunity and without David and Arielle. We had been working on this project for several years, on our own, and struggling without any guidance. We were really discouraged by the entire process. Winning Pitchapalooza, and working with these two really helped us focus and renew our enthusiasm in the project. And now we’re going to be published authors!”
—Nura Maznavi and Ayesha Mattu, Pitchapalooza winners and authors of Love, Inshallah: The Secret Love Lives of American Muslim Woman
How do you get your book successfully published in today’s ridiculously competitive marketplace? Come to The Book Doctors Master Class to find out.
WHAT: The Book Doctors Publishing Master Class
WHEN: April 2, 10am-1pm
WHERE: 11 Pine Street, Montclair, New Jersey
PRICE: $100 including copy of The Essential Guide To Getting Your Book Published
Every participant will get the chance to pitch their book idea and get it critiqued kindly and gently. Whether you are looking to get a deal with one of the Big 5, a great independent publisher, or self-publish, your pitch is the key that unlocks the door to an agent, a publisher, and in the end, a reader. Space is limited, sign up now!
How to register
Click the Pay Now button to make a secure payment.
Here’s what people are saying about The Essential Guide To Getting Your Book Published:
“A must-have for every aspiring writer.”
—New York Times bestselling author, Khaled Hosseini, The Kite Runner
“I started with nothing but an idea, and then I bought this book. Soon I had an A-list agent, a near six-figure advance, and multiple TV deals in the works. Buy it and memorize it. This little tome is the quiet secret of rockstar authors.”
—New York Times bestselling author Timothy Ferris, The 4-Hour Workweek: Escape 9-5, Live Anywhere, and Join the New Rich.
Arielle Eckstut and David Henry Sterry are co-founders of The Book Doctors, a company dedicated to helping authors get their books published. They are also co-authors of The Essential Guide to Getting Your Book Published: How To Write It, Sell It, and Market It… Successfully (Workman, 2010). Arielle Eckstut has been a literary agent for over 20 years at The Levine Greenberg Rostan Literary Agency. She is also the author of nine books and the co-founder of the iconic brand, LittleMissMatched. David Henry Sterry is the best-selling author of 16 books, on a wide variety of subjects, including memoir, sports, YA fiction, and reference. His first book has been translated into 10 languages and optioned by HBO; his latest book was featured on the cover of the Sunday New York Times Book Review. Arielle and David have taught their workshop on how to get published everywhere from Stanford University to Smith College. They have appeared from The New York Times to NPR’s Morning Edition to USA Today.
Update: This promo has expired. Join our mailing list to learn about future discounts and receive free information about how to get successfully published.
Congratulations NaNoWriMo Nation! To celebrate your win, our e-book is $1.99 for a limited time.
The only book a writer needs, now completely revised and updated to reflect the ongoing and unprecedented changes in publishing. Our book has been praised by industry professionals, bestselling authors and dozens of aspiring authors who have used it to turn their dream of publishing a book into a reality.
“I started with nothing but an idea, and then I bought this book. Soon I had an A-list agent, a near six-figure advance, and multiple TV deals in the works. Buy it and memorize it. This tome is the quiet secret of rockstar authors.”
This step-by-step guide demystifies the publishing process
- Come up with a blockbuster title
- Craft an attention-getting pitch
- Create a selling proposal, find the right agent
- Understand a book contract and royalty statements
- Develop sales, marketing and publicity savvy
- Self-publish, if that’s what you choose
New information on marketing strategies:
- Connect with your community and build up a following online via social media
- Create a search-engine-friendly title
- Produce a video book trailer
- Make, sell and distribute an e-book (as well as information on ebook royalties)
- The latest on print-on-demand and other self-publishing technologies
The Essential Guide To Getting Your Book Published includes interviews with hundreds of publishing insiders—agents, editors, publicists, social media experts, booksellers and more. And of course authors. You’ll hear from Margaret Atwood, Neil Gaiman, Amy Bloom, Seth Godin, Susan Orlean, Dan Ariely and many many more.
You’ll also find:
- Inspirational publishing success stories
- Dozens of insider tips
- Sample proposals
- Sample query letters
- Contract guidelines
- A resource guide
The Essential Guide to Getting Your Book Published is more vital than ever for anyone who wants to mine that great idea and turn it into a successfully published book.
Buy the e-book for $1.99
This Query Letter Webinar was held on December 1, 2016
The query letter is an author’s first arrow in their assault on the castle surrounding the Kingdom of Bestsellers. The Book Doctors are constantly shocked by how many great writers write terrible query letters. Agents and publishers are overwhelmed and inundated; if they don’t fall in love with your query letter, you’re going to get one of those horrible generic responses which, no matter how much sugar they put on it, basically tells the author to drop dead.
This webinar will break down everything you need to know about the query letter, and we will deconstruct and critique (in our kind and gentle way) participants’ randomly selected query letters.
This webinar is FREE to view. To submit your query letter for possible critique, please send it to firstname.lastname@example.org. Include “query webinar submission” in the subject line.
SUBSCRIBE to our YouTube channel for tips on how to successfully publish your book.
Our book, The Essential Guide to Getting Your Book Published takes you through the entire process of conceiving, writing, selling, marketing and promoting your book.
When we first moved to New Jersey, we were lucky to meet a few local writers. One of them was Caroline Leavitt. We kept running into her at writers conferences and book festivals, and we became huge fans of her and her books. She is the quintessential writer’s writer. When we found out about her new book, Cruel Beautiful World, we picked her brain on the state of writing, publishing, and how the heck she got Scott Simon to interview her on National Public Radio.
TBD: David was coming of age in that strange period between the ‘60s and the ‘70s, when America went from being obsessed with flower power and the Grateful Dead to disco and cocaine. What draws you to this strange crossroads in American history?
CL: Oh, I was coming of age then, too. I wanted to go out to San Francisco and wear flowers in my hair and “meet some gentle people” but I was too young. So I hung out at the Love-Ins in Boston with my older sister. There was such profound hope in the ‘60s, a sense that we really could change the world for the better. And then the ‘70s hit. And Nixon invaded Cambodia. And Kent State happened. And the Mansons. What happens when dreams turn into a reality you didn’t expect? Can you still find meaning in your life? That’s what really interested me.
TBD: We work with so many writers who have a bizarre conception of what it is to be a writer: you’re suddenly filled with inspiration, you dash off your opus, and then you sit in your cabin by the lake while the royalty checks roll in. Of course, anyone who’s written a book knows it’s mostly sitting by yourself in a room, slogging away and trying to chisel out a work of art and commerce from a lump of clay you have to create with your imagination. As authors who’ve been writing for decades, we have to ask, why the heckfire do you do it?
CL: I firmly believe if I didn’t do it, I would be insane. And also because I love the whole sensation of being in another world, of creating characters. Maybe I am a bit of a masochist, but I love the hard, hard work.
CL: I’m writing the first chapter of my new book, and I’m too superstitious to say anything about it. I’m reading Shelter in Place by Alexander Maksik, which is fabulous, and I have this book Idaho by Emily Ruskovich.
TBD: We hate to have to ask you this, but we do. What advice do you have for writers?
CL: Never ever ever ever give up. Never. Someone says, “no”? The next person might say, “yes.” And do not write to the marketplace. Write the book that speaks to you, that is going to change YOUR life. If your book can do that, well then, it will change the lives of others, too.Caroline Leavitt is the author of the Indie Next Pick Cruel Beautiful World, and the New York Times Bestsellers Pictures of You and Is This Tomorrow. She reviews books for the San Francisco Chronicle, The Boston Globe and People, and she teaches novel writing online at UCLA Writers Program Extension and Stanford, as well as working with private clients. She can be reached at www.carolineleavitt.com.